Like an antique Japanese screen that makes your soul travel between one panel and the other, with a natural closeness between the differences traveled... The differences will be experienced. All the rough points will be traveled. We will go through them or in them, because it is necessary. This need was known by the music of François Couperin and John Sebastian Bach. Today we miss their knowledge, but not their music, which keeps teaching us. We harshly long for their knowledge, like we long for the Amazon River, which is a knowledge itself that keeps teaching us, and maybe forming us (forming me). The primal river is here beloved, like other important or common places expressed by virtue of the operation of art, primal places; the common being primal under some inherent aspects. The film is a journey based on fragments of an initiatory story". The film approaches shyly or reverently-freely like in a dream-to the regions. The conscience in "real" movement brings the body with it. ...Body of man, or bird, body of river or mountain. Here there is no border between species, but the individualization (like operation or process) that authorizes or guarantees the singularity of a trip. Here this is not about trips in general, but a trip: mine, his, an angel's, an animal's or a flow. Récit de l'exil occidental » (Story of the Western Exile) Sohrawardi born in Persia, 1154-1191
