“In me every emotion is an image, and every dream a painting set to music”.
Fernando Pessoa
A blind movie. Silent scores. An invisible painting.
Between senses poses an upside-down reading, a subversion of language and supports. A transmigration of signs between heterogeneous media. Different idioms distort the conventional codes of interpretation that usually frame language, opening up the field to new possibilities of perception: What would a movie be like if you could only listen to it? What would it be like to look at a musical composition? What would be the scent of a text? As they articulate, in poetic form, their scientific interests and methodical investigations, the artists participating in the exhibition venture into the collateral practices of the visual arts in order to incorporate them by generating correlations between the senses.
From Rimbaud's color vowels to Kandinsky's abstract paintings, synaesthetic associations have been typically characterized by a broad spectrum of arbitrariness that reveals aspects of the author's subjectivity, while opening up towards the viewer and allowing them free rein for their own interpretation. Likewise, the works that make up " Entre sentidos" are a plea to the visitor for proximity and interaction: the emphasis on all things sensory challenges the individual reminiscences that determine the ultimate form of evocation.
