In 1993 Pistoletto embarked on a new phase of work along two lines, both already present in One Hundred Exhibitions in the Month of October (1976): the creation of a series of works by the artist and the invitation to others to create their own art exhibition. Pistoletto’s Segno Arte is a figure formed by the intersection of two triangles representing a human body with raised arms and spread legs. Seven Segno Arte doors established a mutual connection in different exhibition spaces in the city of Buenos Aires.
Marcello Dantas
Foto: Jimena Salvatierra