Within the context of everyday life, Erlich understands ordinary architecture as the materialization of a universe born of our imagination, and its inhabitants as activators of meaning. The melody that houses the installation and that unfolds over 60 meters: Run for the Music, is a sound that is part of the cosmos of the ordinary, as it is Beethoven's 9th symphony. The work appropriates and decontextualizes a music that we usually listen to in an elevator, while waiting for the phone, or when learning to play the piano; rather than in a theater. It is a piece whose title is an instruction for the spectator and a desire for the artist. Calling for action, it works only when running, in that way, the music is activated and the work makes sense.
