Agustina Galíndez Quesada, born in 1976 in Buenos Aires, is an accomplished interior designer and artist. She studied Public Relations at the Universidad Argentina de la Empresa and trained extensively in textile design and printing. Her artistic foundation was shaped at the Serigrafía a Contramano workshop, led by Constanza Martínez and Rosa Skific at the Museum of Decorative Arts. She further developed her expertise in screen printing and textile design under Rosa Skific, and explored visual arts at Margarita García Faure’s workshop, where she engaged in project follow-up clinics. Her education also includes interdisciplinary seminars on art and nature by La Flecha del Arte, and the seminar El Todo y las Partes with Eduardo Stupía at the Torcuato Di Tella University.
Galíndez Quesada’s work has been showcased in prominent exhibitions, both individually and collectively. Highlights include her participation in the Annual Exhibition at the National Museum of Decorative Arts (2013/2014), Noche de los Museos at the same institution (2015), and solo exhibitions such as Porque existen agujeros en el fondo del sueño at Panal 361 (2016), Tiempo compartido at La Fábrica (2017), Luminiscencia at Pagana - Casa de Arte (2018), and Catarsis at La línea Piensa at the Borges Cultural Center (2022). She has also contributed to group shows, including Observar simultáneamente with Los 10 collective at Espacio Y (2018), and Que la gente confíe at Cecilia Caballero Arte Contemporáneo (2022). Her works are included in private collections, reflecting her growing influence in the contemporary art scene.
