A thin and long metal structure, linear, stripped, pierces space. Every 5 meters or so, over it, rustic machines of old music boxes move their gears to the sound of a small motor. The nails of the mechanism try - not always successfully – very slowly, to press the wires that cross the room from one section to another.
The wire has an irregular tension, its path is interfered by knots of small wires that hinder its progress. These conditions make the sounds turn out to be random, sometimes unraveled, sometimes not so much, but always unexpected.
The title that Edgardo Rudnitzky gives to this installation is Border Music, where the materiality and its sonority are what establish the "edge" between one side and another of space, between one side and the other of "comfort".
In this way, the piece introduces the question of migrations, exiles, transits and their tensions, all those issues involved in these processes that cross the contemporary life experience.
