Aníbal López (April 13, 1964 – September 26, 2014) was a key figure in contemporary Latin American art, known for his bold fusion of conceptual art, street interventions, and performance. Using the pseudonym A-1 53167, López’s work explored identity politics, questioning traditional national and ethnic categories. His politically charged actions, such as "The Loan," where he staged an armed robbery and used the stolen money to fund an art exhibition, disrupted the norms of art consumption and engagement. At the 49th Venice Biennale in 2001, his piece "Coal on the Boulevard" highlighted the military’s human rights abuses during Guatemala’s civil war. López’s art merged political activism with creative expression, cementing his legacy as a vital figure in contemporary art. His work has been displayed in major international institutions, and he is represented by Prometeogallery in Milan and The 9.99 Gallery in Guatemala City.
